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The Champa Civilization (192 BCE – 1832 CE)

Champa was a Hindu and later Muslim Cham kingdom that ruled the central Vietnamese coast for nearly two millennia, leaving brick sanctuaries from My Son to Po Nagar.

Published 2026-05-17· 8 min read· Vietnam Knowledge
Last reviewed: 11 June 2026Report outdated info

For almost two thousand years the central Vietnamese coast was governed not by the Vietnamese but by the Cham, a Malayo-Polynesian people whose kingdoms collectively form what historians call Champa. Their brick sanctuaries still dot the landscape from Quảng Bình to Bình Thuận.

Background

The Cham spoke an Austronesian language related to those of the Malay Archipelago and arrived in mainland South-East Asia in prehistoric times. By the late centuries BCE their communities along the central coast had developed maritime trade links across the South China Sea and the Indian Ocean. From early in the common era they adopted Indian religious and political ideas, becoming a deeply Hinduised culture.

The traditional founding date of Champa is 192 CE, when a local leader named Khu Liên rose against the Chinese commandery of Rinan and established an independent polity called Lâm Ấp. Later Cham historiography traces the royal lineage back further, to a figure called Sri Mara active around 192 BCE, and many overviews follow that earlier date.

What happened

Champa was rarely a single centralised state. It functioned as a federation of port principalities, each centred on a river mouth and a sacred mountain. The main political regions, from north to south, were Indrapura around modern Đà Nẵng, Amaravati centred on My Son, Vijaya near modern Quy Nhơn, Kauthara around Nha Trang and Panduranga around Phan Rang.

Across the first millennium Cham kings sponsored a remarkable building programme:

  • The My Son sanctuary in the hills of Quảng Nam, built between roughly the fourth and thirteenth centuries, served as the spiritual centre of the kingdom and held more than seventy brick towers dedicated mainly to Shiva.
  • The Po Nagar towers above Nha Trang were begun in the eighth century and dedicated to a goddess later identified with the Cham mother figure Yan Po Nagar.
  • The Po Klong Garai towers near Phan Rang, built in the late thirteenth century, honour a Cham king deified after his death.

The economy combined irrigated rice farming, sandalwood and aloe forestry, and trade in spices, ceramics and slaves. Cham mariners ranged as far as the Persian Gulf and were active intermediaries in the China trade.

Champa fought intermittently with the Vietnamese to its north, the Khmer to its west and the Javanese and Srivijayan thalassocracies to its south. It was sacked by a Javanese fleet around 774, repeatedly clashed with the Lý and Trần courts, and itself sacked Angkor in 1177. Under King Chế Bồng Nga (Po Binasuor) in the late fourteenth century it briefly turned the tables on the Trần, raiding Thăng Long three times.

The decisive blow came in 1471, when the Lê emperor Lê Thánh Tông captured the Cham capital at Vijaya and annexed most of the kingdom. A residual Cham state survived in Panduranga, paying tribute and ruling under increasingly close Nguyễn supervision. In 1832 the Nguyễn emperor Minh Mạng formally abolished the last Cham polity, and the territory was absorbed into Vietnamese administration.

From the fifteenth century onwards many Cham gradually converted to Islam, partly through contact with Malay traders. Today the Cham of central Vietnam, around Phan Rang, remain mostly Hindu, while the Cham of the Mekong delta and Cambodia are predominantly Muslim.

Why it matters

Champa was the principal Indianised civilization on the eastern coast of mainland South-East Asia and one of the great maritime cultures of the medieval world. Its absorption changed Vietnam's geographic and cultural identity, adding a long, dry, palm-fringed coast to a country whose original homeland was the cool, wet Red River delta. Cham contributions to Vietnamese music, dance, textiles and cuisine remain visible in the central provinces.

What you can see today

  • The My Son Sanctuary in Quảng Nam, a UNESCO World Heritage Site, is reachable from Hội An by a short bus ride; many of its towers were damaged by American bombing in 1969 but a substantial complex remains.
  • The Po Nagar Cham Towers above the Cái River in Nha Trang are still an active place of worship for both Cham and Vietnamese Buddhists.
  • The Po Klong Garai and Po Rome towers near Phan Rang preserve a more austere late-period Cham architecture and host major festivals during the Cham Kate celebrations in autumn.
  • The Museum of Cham Sculpture in Đà Nẵng holds the world's finest collection of Cham stone art, with sandstone deities and altar reliefs gathered from temples across the central coast.

What happened and why

Champa was a Hindu maritime kingdom that dominated the central Vietnamese coast for nearly two millennia, from roughly the 2nd century CE until its absorption into Vietnamese rule in 1471 (with final absorption in 1832). Beginning as a confederation of independent port-principalities, the Cham developed remarkable brick temple complexes at My Son, Po Nagar, and Po Klong Garai while growing wealthy through Indian Ocean trade in spices, ceramics, and sandalwood. The kingdom's gradual decline stemmed from repeated northern pressure by the Lê and Trần dynasties, culminating in Emperor Lê Thánh Tông's 1471 conquest. This civilization fundamentally reshaped Vietnam's identity, adding the central coast to the Việt homeland and enriching Vietnamese culture with Cham music, textiles, and cuisine.

  • My Son Sanctuary — Quảng Nam Province — A UNESCO World Heritage Site containing over 70 Hindu brick towers, mostly from the 4th–13th centuries; the spiritual heart of Champa and its finest surviving monuments.
  • Po Nagar Cham Towers — Nha Trang, Khánh Hòa Province — Four eighth-century towers overlooking the Cái River, dedicated to the mother goddess Yan Po Nagar and still actively worshipped.
  • Po Klong Garai and Po Rome — Phan Rang, Ninh Thuận Province — Late-13th-century towers in austere architecture, focal point for autumn Cham Kate religious festivals.

How it shapes modern Vietnam

The legacy of Champa echoes across present-day central Vietnam in both obvious and subtle ways. The region's Hindu temple ruins and Cham place names (Quảng Nam, Khánh Hòa, Ninh Thuận) anchor Vietnamese national identity to a pre-Việt past; the Cham people themselves—now a religious minority numbering roughly 200,000—remain custodians of Hindu and Islamic traditions that complicate the Buddhist-Confucian narrative. Culturally, Cham influences persist in central Vietnamese music (distinctive instruments and rhythms), textile patterns, and cuisine, while geographically, Champa's incorporation extended Vietnam's coastline and maritime sphere southward, shaping its economic and strategic character.

The Museum of Cham Sculpture in Đà Nẵng holds the world's finest collection of Cham stone art, including sandstone deities and altar reliefs from across the central coast. Most tourists combine a My Son visit with a Hội An day trip via short bus. For immersive cultural experience, the autumn Cham Kate Festival (September–October) at Po Klong Garai and Po Rome brings Cham Hindu and Muslim communities together for ritual worship, costume, and traditional music—a rare window into living Cham spirituality.

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